The work I do can be very personal and shrouded in secrecy. I'm still working hard to normalize disorganization so that people stop beating themselves up -- not quite there yet!
But once in a while, I have the privilege of working with someone who understand and accepts their struggle with organization. More importantly, they are ready for change, ready to accept help, and want people to learn form their journey. That's where I find myself this month . . .
As fate would have it, Regina's unit was spared the scourge of an infestation. But having to let strangers into her cluttered space was the catalyst for her to get back on the organizing bandwagon. Our first three-hour session together was extraordinary. With careful consideration, my client made mindful decisions about what she wanted to occupy the space in her bedroom. Armoires were emptied, clothes were folded and returned to the shelves. Other clothes were tossed into the numerous bags which were carted down to my car and carried off to the Salvation Army. I returned two days later and witnessed more of Regina's determination.
But the following week I received a call. The baring of Regina's soul began. We would need to slow the pace of our work from twice weekly, to bi-weekly. She was frozen (mentally and emotionally). Her arthritis wasn't making it easy for her either. When I returned the following week, the big confession was made: The open space Regina worked so hard to create left her feeling vulnerable. She had purchased $300 of clothes and $500 of craft supplies to fill the open spaces shortly after I had left her.
Regina is an abuse survivor. Historically, her bedroom has been a place of
violence. For decades, her stuff has protected her, acting as a physical
barrier. The space she reclaimed, in an effort to help her live more peacefully
and easily, in fact left her feeling threatened. On her therapist's advice
Regina turned to her art to process the emotions that her transformed home
conjured within her. The result is the assortment of images accompanying this
article. These are all examples of the Fibonacci sequence.
Regina started with a black canvas -- card stock actually. This represented the
negative space that haunted her in her bedroom. Negative space is the area
around an object, like the open space that was now visible in between the
neatly folded stacks of clothes that occupied the bedroom armoire. Her mission
was to fill the negative space. The colourful dots were carefully placed in
sequence to create something more soothing and satisfying than the terrifying back
panel of the armoire. After a sufficient number of dots covered the canvas, a
second layer of dats was added. The same colour was added on top of its base
colour, creating dimension, like a swirl of soft serve ice cream. Regina
continued to stack the colourful layers until she had that sense that it was
just right, that she had put enough dots to fill the negative space.
Regina tells me that the greatest benefit derived from the sequences is
in the act of creating them. She has no attachment to them. But she does move
them around her condo and affix them to any open space she may be
contemplating. The colours fill the negative space and help to ground
her.
I continue to be amazed by the creative way that Regina chooses to face her demons. And I am inspired by her strength, determination and courage to continue her journey, while caring for body, mind, soul and home. Not an easy feat.
I continue to be amazed by the creative way that Regina chooses to face her demons. And I am inspired by her strength, determination and courage to continue her journey, while caring for body, mind, soul and home. Not an easy feat.
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